The starting point for the works, specially produced for the
exhibition, is a relief on the facade of the Palais de la Porte Dorée,
which was built in 1931 on the occasion of the Colonial Exhibition in
Paris. Here, the peoples of the French colonies are depicted while
extracting raw materials such as rubber and exotic woods, yet in the
inside of the palace the so-called "intellectual" contributions by
France to the civilization of the indigenous peoples are illustrated on a
monumental fresco.
In the mural work Penetrable (2016) and the sculpture Echange de présents (2016), Thu Van Tran takes up the material and the symbolism of the commodity rubber and illuminates the bitter irony in the depiction of the supposed exchange. Her works visualize how the writing of history is manifested with the occupying power’s Western view on the population of the colonies. The memory work materializes in the photograms Sunstroke (2016) through traces of her notebooks, sketch blocks and remnants from her studio. In addition, the Super 8 film Far East (2016) will be shown, in which Thu Van Tran examines the historical and political links between Vietnam and the former GDR and how in Berlin she embarks on a search for traces and repercussions of the conceived communism.
Curator: Silke Wittig
Photos: Sebastian Gündel